CONGREGATION
Congregation is an outdoor, immersive, sound art theatre project that builds on the success of Ray Lee’s outdoor work such as Chorus and Ring Out.
In Congregation the audience (of up to 80 sphere carriers) are invited in small groups to discrete locations in a city where they are given a silver sphere. They are instructed that the sphere will guide them to a location by emitting sounds, one sound for the correct direction and another for the wrong direction. Simultaneously other audience members are being met at different locations and also being given similar spheres. All of the locations are on the circumference of an area the centre of which is the location to which all of the participants are being led. As the audience members walk off holding their sonic spheres, they will turn a corner to find more people also carrying spheres until the sphere carrying participants have become a ‘congregation’ moving inexorably towards a central location.
For the public, the sight of one person after another carrying a distinctive silver sonic sphere will create the sense of being in a performance that is taking place all around them. As the spheres congregate the sounds begin to change and the mass of spheres will create a humming electronic web of sound that will attract and engage thousands of passers-by in a strange processional science fiction ceremony. The mass of ‘singing’ spheres will be used generate an electronic musical composition at the final location with the participants being the orchestral players holding the choir of sonic spheres.
“Let a sonic sphere take you on a journey to a secret location, guiding you by sound alone. Seemingly possessed of its own mind it guides you through familiar and unfamiliar terrain. Can you keep the sphere ‘happy’ by going in the right direction? In return the sphere will lead you on a sonic voyage to the mysterious final destination where you will encounter a meeting of the spheres, a chiming, pulsing web of electronic sound.”
22 Oct - 23 Oct 2023 | Shanghai International Arts Festival 2023, Shanghai, China
24 Oct - 28 Oct 2023 | Wuzhen Theatre Festival 2023, Wuzhen, China
6 Nov - 10 Nov 2024 | Shekou Theatre Festival 2024, Shenzhen, China
20 Sept - 21 Sept 2025 | 23rd Macau City Fringe Festival, Macao, China
About Ray Lee
Ray Lee is a multi-award-winning composer and artist. He won a BASCA Composer of the Year award for the highly inventive music theatre project The Ethometric Museum.
His monumental outdoor work Chorus has been touring nationally and internationally since 2013 with appearances as part of major outdoor programmes organised by Lieux Publics in Marseilles, the National Theatre, WOMAD, the Southbank, Hong Kong International Arts Festival, Georgetown Festival in Penang, ZAT Montpelier, Warsaw Contemporary Music Festival, Connected Cities in Seoul, South Korea, a Circulate tour of four London venues and at festivals in Melbourne and Romania to name a few. Chorus was shortlisted for the 2014 BASCA Composer of the Year award.
His world-wide hit Siren has been performed over three hundred and fifty times in eighteen countries across three continents and continues to tour internationally. Force Field was awarded an honorary mention in the 2008 Prix Ars Electronica for Digital Music. His recent work Ring Out was co-commissioned by OCM receiving a PRS New Music Biennial award. Ring Out has been presented at Hull City of Culture and London Southbank as well as Newbury and Oxford. A recording of the work was broadcast on BBC Radio 3.
He is a Professor of Sound Art at Oxford Brookes University and an associate artist of OCM (Oxford Contemporary Music).
Reviews
“It could be a futuristic drama in the making: a solitary human embarking a homeward journey with a silver sphere. Yet as I type these words, it strikes me as profoundly classical, infused with the essence of ancient Greek theatre.”
— 安妮看戏wowtheater, Wuzhen 2023
“What an intriguing experience! Guess the route based on the silver sphere’s sounds and mood—get it right and it's happy, get it wrong and it grumbles in displeasure. Each sphere has its own path and temperament; mine was super lively! It felt like shifting from spectator to participant. Sea World was packed—walking around with the sphere drew constant stares and questions from passersby, like we belonged to some mysterious organization. At first, I wondered why the performance was named this way, until all the spheres converged at the end to create a complete melody. Fun and delightful—I'll definitely be back!”
— 原味水蒸气@Rednote, Shenzhen 2024
“Honestly, walking through Wuzhen clutching a silver sphere that makes noise was pure social death, but as I walked, I found the sound that brings you inner joy and follow it—that's how you reach the finish line fastest. And the finish line isn't the end; it's just where many like-minded souls gather to play a symphony. Along the way to the finish line, the sphere occasionally grew loud - those clamors resembling life's moments of frustration. Yet you can't reject most of life's beauty just because of setbacks. Sphere by sphere, they returned to their places amid cheers. Wind passed beneath the trees, and a gentle breeze also brushed through my heart.”
— Goodfish@Rednote, Wuzhen 2023
“This little sphere kept me company for an hour, soothing my emotions.
From the China Merchants Tower to the seaside, the artist Ray Lee was already waiting for each of us with a lantern in hand.
A familiar path we might walk daily transforms when accompanied by a sphere that responds with sound and emotion. As it encounters flowing water, crowds, and trees—does it mirror my own feelings? Does it play the very background music I wish to resonate within my heart?
We are all independent, yet we also share a deep resonance.”
— 一隻魚@Rednote, Shenzhen 2024
“The entire experience was nothing but magical - I can't find any other word to describe it. It just... lets you feel the sheer power of sound in the most direct way. Simple melodies can shift your mood and even your mindset. Overall, I think this innovative interactive experience is well worth trying.”
— 邤颐在剧场@Rednote, Shenzhen 2024
“This is not a traditional performance piece, but rather an immersive experience blending environment, music, and technology. Aside a brief introduction to the rules by the crew at the starting point, there is virtually no staged performance.
Simply holding this humming silver sphere creates a peculiar sense of ritual—you yourself become part of the act. Passersby watch with curiosity, transforming into an audience, while you, the participant, become the performer.
Guided by the silver sphere, you will traverse both familiar and unfamiliar spaces, following sounds along the banks of the river in Wuzhen, winding through streets and alleyways. What you gain is a completely different experience from an usual stroll here.”
— Yang Xiaolulan @ Theatre Ferris Wheel, Wuzhen 2023
“Holding the glowing silver spheres that emit sound, navigating through city corners. Guided by the sound cues, we explore uncharted paths, feeling the shifts in music and mood as we walk, savoring the surprise journey where art merges with the urban landscape.”
— IG@macaotheatreschool, Macau 2025